Tell us about the genesis and development of MOD Studio.

We founded MOD Studio in 2016. Since then, we’ve sought to redefine our approach to contemporary architecture by merging minimalism, sustainability and user experience. “MOD” meaning Mark Odion Design may also be derived from the words “Modern”, “Modular”, or “Modify”, reflecting the firm’s philosophy.

The studio’s debut works included small to medium-scale residential, commercial, and institutional spaces. These projects helped establish the firm’s approach of catering to tailor-fit design solutions and its reputation for clean lines, functional layouts, and innovative material use.

The introduction of a new partner came with my marriage to another architect, Maria Katrina Peredo Odion. The impact on the studio’s development of this was a creative synergy and business expansion. With two leaders, the firm could take on larger or more diverse projects, leveraging combined industry connections. Roles were divided naturally, one focusing on design innovation, the other on operations or client relations, creating a more balanced leadership.

What are some major residential projects you have recently completed?

The Farmhouse, of course, already featured on ADDRESS, and the CP House, a three-storey residence in Bacoor, Cavite, completed in December 2024

What do you see as the particular hallmarks of your design approach?

The Studio’s design philosophy is distinguished by a bespoke methodology, where each project is meticulously crafted to align with the unique needs of its users, context, and functional demands. But ultimately, the particular hallmark of the firm is simplicity – clean lines and uncluttered forms create a timeless foundation, while bespoke details add character.

Which three designers, past or present, do you most admire? Why?

I admire Kengo Kuma‘s architectural philosophy which emphasizes on designing sensitively. The way he respects the history and the features of the location which always results in spaces that is one with nature and not against it; Neri and Hu for their adaptive reuse approach which not only preserve the historical and cultural significance of structures but also significantly reduces environmental impact; Ludwig Mies Van Der Rohe who championed the idea that “less is more”. Their clean lines and geometric forms and structural honesty became very influential and we can say, still relevant in today’s day and age.

Name three of your favourite buildings in SE Asia.

Coconut Palace – for showcasing Filipino ingenuity by integrating coconut-inspired architecture. An example of luxury with sustainability

Cultural Center of the Philippines (CCP) – for its unique design, cultural significance, and its role in promoting Filipino arts.

The House of Remembrance, Singapore – for its architectural statement that harmoniously blend design, memory, and community. A thoughtfully designed structure that honours the past while providing a space for future generations to reflect and remember.